例句與造句

1. Not everyone, however, was happy with the changes taking place in Weimar culture.
2. Jewish intellectuals and creative professionals were among the prominent figures in many areas of Weimar culture.
3. Conklin produced and directed " Memories of Berlin : The Twilight of Weimar Culture ".
4. Behind its biblical facade, Schoenberg's opera can be seen as a vision of Weimar culture as life in hell.
5. His 1968 book, " Weimar Culture ", was a study on the cultural history of the Weimar Republic.
6. It's difficult to find weimar culture in a sentence. 用weimar culture造句挺難的
7. Born into a wealthy middle-class family in L黚eck, Heinrich Mann was one of the leading representatives of Weimar culture.
8. As a teacher in Berlin, he was at the center of radical modernity, but he found himself out of step with Weimar culture.
9. Germany lost  thousands of intellectuals, artists, and academics, including many luminaries of Weimar culture and science ", according to Raffael Scheck.
10. The comparison of painting with music gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee.
11. In his study of Weimar culture, Peter Gay wrote, " While not all Expressionists loved Weimar, the enemies of Weimar hated all Expressionists ."
12. Along with the economic chaos of the inter-war years, Weimar culture in general had a degree of social chaos, which was experienced in the city of Berlin in particular.
13. New Objectivity in architecture, as in painting and literature, describes German work of the transitional years of the early 1920s in the Weimar culture, as a direct reaction to the stylistic excesses of Expressionist architecture and the change in the national mood.
14. As Michael Hofmann, the novel's translator, puts it in a helpful introduction, Roth's sensibility resembles that of other figures of early Weimar culture, for example the caricaturist George Grosz, who took ordinary subjects from ordinary life and gave them monstrous forms.
15. What became known as Weimar culture ( although Berlin and Munich were its centers ) had its roots in turn-of-the-century Expressionism, which one student of the movement summed up as " a mood of revolutionary discontent and radical rejection of bourgeois values ."
16. For instance, in " Weimar Culture : The Outsider as Insider " ( Harper, 1968 ), Gay wrote that the Weimar Republic was not a universally tragic failure, as it has usually been seen, but that it was also a time of great German cultural experimentation and vitality.
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